Public Scholarship & Presentations

Panel Chair: 2026 Annual SECAC Conference (2026). “Weaving and Disentangling Imperial Identity: Art and Expansionist Violence in the Long Nineteenth Century,” co-chaired with Marie-Agathe Simonetti.

Panel Chair: 2026 Annual SECAC Conference (2026). “Weaving and Disentangling Imperial Identity: Art and Expansionist Violence in the Long Nineteenth Century,” co-chaired with Marie-Agathe Simonetti.

Conference Paper: 2025 Annual SECAC Conference (2025). “Through the Looking Glass: Photographing and Circulating the Siamese Body in the Second French Empire,” in “Open Session: Nineteenth-Century Art: Art and Visual Culture in and Around France, S

Conference Paper: 2025 Annual SECAC Conference (2025). “Through the Looking Glass: Photographing and Circulating the Siamese Body in the Second French Empire,” in “Open Session: Nineteenth-Century Art: Art and Visual Culture in and Around France, Session II,” chaired by Emily Everhart.

Conference Paper: 2025 Annual Cultural Studies Association Conference (2025). “Fast and Furious: Mobile Aesthetics and Modernity at the 1900 Paris Exposition and Beyond,” in “Playful Worlds, Serious Futures: Games and Leisure Technologies,” chaired

Conference Paper: 2025 Annual Cultural Studies Association Conference (2025). “Fast and Furious: Mobile Aesthetics and Modernity at the 1900 Paris Exposition and Beyond,” in “Playful Worlds, Serious Futures: Games and Leisure Technologies,” chaired by Collin Hawley.

Conference Paper: Workshopping Future Directions in Impressionism, The Impressionist Futures Group (2024). “Modern Thai Painting and the Problem of ‘Impressionism’” presented virtually in “Global Histories of Impressionism,” chaired by Frances Fowl

Conference Paper: Workshopping Future Directions in Impressionism, The Impressionist Futures Group (2024). “Modern Thai Painting and the Problem of ‘Impressionism’” presented virtually in “Global Histories of Impressionism,” chaired by Frances Fowle.

Conference Paper: 112th Annual College Art Association Conference (2024). “Co-Conspirators: Impressionism, Tourism, and the Invention of Modern Thailand” in “Impressionism and the Longue Durée of Empire,” chaired by Alexis Clark and Simon Kelly.

Conference Paper: 112th Annual College Art Association Conference (2024). “Co-Conspirators: Impressionism, Tourism, and the Invention of Modern Thailand” in “Impressionism and the Longue Durée of Empire,” chaired by Alexis Clark and Simon Kelly.

Gallery Talk: Saint Louis Art Museum (2023). “Joaquín Sorolla and an Impressionism Beyond France."

Gallery Talk: Saint Louis Art Museum (2023). “Joaquín Sorolla and an Impressionism Beyond France."

Conference Paper: 8th Annual Symposium, University of North Carolina at Chapel Hill (2022). “Into the Sensorium: (Im)Materiality and Coloniality in Paul Gauguin’s Paintings on Burlap.”

Conference Paper: 8th Annual Symposium, University of North Carolina at Chapel Hill (2022). “Into the Sensorium: (Im)Materiality and Coloniality in Paul Gauguin’s Paintings on Burlap.”

Gallery Talk: Saint Louis Art Museum (2022). “Frank Dillon’s The Colossal Pair, Thebes (1856)"

Gallery Talk: Saint Louis Art Museum (2022). “Frank Dillon’s The Colossal Pair, Thebes (1856)"

Conference Paper: 42nd Annual Nineteenth-Century Studies Association Conference (2021). “At the Center of the Globe: Cartography, Botany, and Empire in J.B. Carpeaux’s Fontaine des Quatre-Parties-du-Monde ,” in "Controversial Monuments: Continent

Conference Paper: 42nd Annual Nineteenth-Century Studies Association Conference (2021). “At the Center of the Globe: Cartography, Botany, and Empire in J.B. Carpeaux’s Fontaine des Quatre-Parties-du-Monde,” in "Controversial Monuments: Continent Personifications,” chaired by Maryanne Cline Horowitz

Conference Paper: The 37th Annual Art History Graduate Symposium at Florida State University (2021). “J.B. Carpeaux’s Fontaine des Quatre-Parties-du-Monde (1867-74): A Monument for the French Colonial Empire.”

Conference Paper: The 37th Annual Art History Graduate Symposium at Florida State University (2021). “J.B. Carpeaux’s Fontaine des Quatre-Parties-du-Monde (1867-74): A Monument for the French Colonial Empire.”